Various Artists, Not So Quiet on the Country Western Front

Taken as a whole, country music is known for being the most utterly depressing of all music types. Not surprisingly, the Not So Quiet on the Country Western Front compilation showcases an array of country-ish songs whose subjects run the gamut from crying for the Lord to dying for a drink…

Silverstein, Arrivals and Departures

Inside the liner notes for the promo copy of Arrivals and Departures reads the line, “Many great bands have broken new musical ground over the years, SILVERSTEIN is ready to do the same right now with ‘ARRIVALS AND DEPARTURES’.” Well, they’d better hurry, because the malls are closing…

Jonah Matranga, And

That Jonah Matranga, he’s certainly come a long way over the years. He’s gone from fronting critically-acclaimed nu-metal act Far to sweet, romantic, emo-pop as Onelinedrawing to post-hardcore supergroup New End Original to…this? Honestly, die-hard Matranga fans are going to be somewhat thrown off…

Little Brian, Thrash Funk

Let me just start out by saying I guess I just don’t get it. I can dig some funk. I can dig some jazz. I can dig some metal. I just don’t like the mix that Little Brian puts out into the world. Small parts of the album are good, but then they switch parts, and it just sounds horrid…

Guns Are For Kids, Too Much Red Not Enough Red

In an interview I stumbled across the other day, Australian skronk-rockers Guns Are For Kids proudly declared that, “We don’t write chord progressions. We have hooks, but they’re more rhythmic.” Well, yeah — they pretty much nailed that one on the head…

The Black Crowes, Warpaint

By hook, crook, and sideways handshakes, I got a copy of this record just a few days before its official release date. I was biased going in — I had a grudge against the Crowes from the last time I saw them live with their beards and their jam-laden, meandering odysseys…

Astra Heights, Good Problems

Is iPod-Rock an official genre yet? Jet, The Fratellis, that ultra-processed garage-glam-pop-rock sound…just close your eyes and picture those twitchy shadow dancers in monochrome hell. shudder It’s damn easy (and fun) to mock, but the music’s so undeniably catchy…

Update: listenlisten (3/15) + Paris Falls (tonight!) + The Besnard Lakes + While You Were Gone (3/7-8!) + More

phew…another late night, another update. Big thanks to all the hard-working writer folk, by the by, for getting this stuff in — this little e-zine would die a sad and lonely death with only yours truly doing the writing for it, I swear. Everybody, your efforts are very much appreciated. I owe you all beers. […]

Built By Snow, Noise EP

Sometimes dorks really do make the best music. Something about the goofy Buddy Holly-esque glasses, shaggy hair, and lankiness combines to create music that is clever, catchy, and not completely devoid of lyrical merit. Built By Snow may strike the average appreciator of music as just another indie-rock band…

The Besnard Lakes, The Besnard Lakes Are The Dark Horse

Music bloggers love to compare The Besnard Lakes to the Beach Boys. It’s true; try navigating your way through the webosphere to find a blog and/or zine that doesn’t — they’re not there. And yes, this six-piece indie outfit from Montreal has clearly taken some harmonic cues from the ’60s…

While You Were Gone, Heavy Lies The Crown

I’ve been looking forward to this one for a while now, but now that I’ve got it in hand and am listening to it, I’m torn. Don’t get me wrong — I’m enjoying the heck out of While You Were Gone’s new EP and kicking myself for not yet having seen them play live. Vocalist/pianist Misty Gray’s got one of the best voices…

Used Alien Mind, The Placement Aside

In Used Alien Mind’s second album The Placement Aside, Mike Leporte’s one-man-show once again plays space lounge sound to perfection. With all the subtle blips and lo-fi burps and cosmic nuance, the work offers eclectic musicality. “Splashes of Color” sounds like robots building other robots…

Paris Falls, Vol. II

In general, I’ve tried to make a habit of keeping a bit of critical distance from bands that make their living by digging up the musical past. Sure, I enjoy the hell out of bands like The Redwalls or The Darkness in part because of the fact that they mine styles that evoke a certain era…

Miller, Complete Buffoonery

Mike Miller says in his bio that he sounds like “They Might Be Giants, Biz Markie, The Rentals, and Atom and his Package, with a punk edge…and please don’t say Weird Al.” Well, sorry, Mr. Miller, you kind of forced my hand, after listening to Complete Buffoonery. You sound like Weird Al…

The King Hen, The King Hen

There are some bands that attract fans by the ferocity of their music alone. They make sure that every kick, every hit of the tom, every bass note rumbles, making itself known and felt. Whether a song is awesome or awful is irrelevant. Luckily, the King Hen is not one of those bands…

The Forms, The Forms

Wow, this is different. Upon listening to The Forms self-titled second CD (the follow-up to Icarus, released in 2004), I had to go on the Web to find video of The Forms and see how they were producing those sounds. The Forms play fairly quiet, smooth, atmospheric music…

Update: NOFX (2/26!) + dUg Pinnick + ASG + Able Baker Fox + New Featured Bands + More

Yep, got a bunch of new stuff up lately, including a nicely-sized (I think, anyway) pile of reviews. There’s one of the new NOFX live disc, which is surprisingly good despite the title (these days I find myself blasting “You’re Wrong” and “Franco-Unamerican” while driving around, at least as long as my daughter’s not in […]

ASG, Win Us Over

Southern rock need not be ridden to compilation albums sold on TV in the wee hours of the night. ASG has got the goods and has pushed the genre enough to show real ingenuity. With their fourth album, Win Us Over, the band from North Carolina delivers tracks…

Emily Jane White, Dark Undercoat

The thing about writing songs that speak to the darker parts of our soul is the delicate balance of writing songs that are sentimental without being prosaic and annoyingly emo. It takes a truly talented and self-aware musician to construct lyrical poetry that is reflective without taking itself too seriously…

The Playing Favorites, I Remember When I Was Pretty

Supergroup/Side Project Warning: The Playing Favorites are a group of indie musicians who have been or are in bands such as Lagwagon, Sugarcult, Penfifteen Club, Bad Astronaut, and The Rentals, just to name a few. After a late night out, Joey Cape and Luke Tierney, who were on tour together…

Able Baker Fox, Voices

If you haven’t heard of these guys, go ahead and put them on your short list of new favorite bands. The Casket Lottery and Small Brown Bike are both gone, but because of their chemistry in past collaborative efforts, ex-band members Nathan Ellis, Ben Reed, Mike Reed, and Jeff Gensterblum are creating amazing music together […]

Plastic Idols, Singles, Demos, and Live Houston Punk ’78-’80

I can’t claim have a lot of knowledge about Houston punk rock. I used to frequent hardcore shows, I know who the Fatal Flying Guilloteens are, and I know who 30footFALL is. Beyond that, bands like Plastic Idols are pretty unknown to me. They were around before I was born, and they lasted until I was 2 or 3…

dUg Pinnick, Strum Sum Up

Local progressive rock icon Doug Pinnick is at it again, having completed a new solo project recorded at Blacksound Studios in Los Angeles, Strum Sum Up. The famed bassist and lead vocalist for King’s X has teamed up with fellow Houstonian Walter “Wally” Farkas, formerly of Galactic Cowboys…

Patient Patient, Professionals and Convicts

Patient Patient’s first album, Professionals and Convicts, is a quality album, full of hard-boiled, determined tracks. This group from Bellingham, Washington, has crafted a powerful and balanced piece with form more mature than usually seen in a first release…

NOFX, They’ve Actually Gotten Worse Live

Don’t be fooled by the title; on their latest live CD (the most recent of five), iconic California pop-punkers NOFX sound better — tighter, faster, smarter — than they have in a while. It’s probably because these guys really do shine live, where they can bounce shit off the audience…

Fatal Flying Guilloteens, Quantum Fucking

Sweet Jesus. I’m having a real hard time digesting the fact that Quantum Fucking is now officially the Fatal Flying Guilloteens’ tenth release. I was almost positive the ground would open up and swallow the band whole before the universe would allow that much Guilloteens-ness to exist…

Bloodsimple, Red Harvest

Nothing short of “amazing” should be used to sum up the newest addition to the Bloodsimple world. With it being over two years since their first debut album, A Cruel World, the now-four-member crew has proven their place in the metal scene with the follow-up album Red Harvest

Balero, Balero

On their self-titled EP, Houston band Balero plays instrumental heavy metal. One of the biggest things that annoys me about metal is the singing, so these guys are already more up my alley than most current metal bands. And hey, Slint used death-metal pedals and nobody complained…

A>S>H>S, Audible Stellar Hypnotic Situations

The boys in A>S>H>S have been grooving around Houston for about a decade now, recently releasing their first album Audible Stellar Hypnotic Situations. Their instrumental sound has an electronic/jazzy/funk feel to it, peppered with turntables and saxophones…

Le Loup, The Throne of the Third Heaven of the Nations’ Millennium General Assembly

DC-based band Le Loup includes eight musicians, (or, “a collective of talented young artists and entrepreneurs,” according to their Website) who have collaborated to create The Throne of the Third Heaven of the Nations’ Millennium General Assembly

Firebug, End of the World

You know, if Firebug had spent less time on fancy packaging and boastful self-reviews, they might have actually found the time to write the amazing songs they claim to. The reality is that they came out with half-assed, clichéd pseudo-rock and roll…

(Late) Update: Cat Power + Deathbed Repentance (2/8!) + Schoolyard Heroes (2/26) + More…

Argh. Just goes to show where my head’s at, lately, with this damn illness thing I can’t seem to shake — just this AM it occurred to me that I never actually posted about last week’s new batch of reviews. Apologies for that, folks; a well-oiled machine this e-zine is not, sadly (and yeah, that’s […]

Sunspot, Neanderthal

Neaderthal is the latest release from Wisconsin’s self-proclaimed “Arena Geek-Rock” trio Sunspot. Their fourth album promises to be a blend of Weezer and American power-pop pioneers Cheap Trick, but Neanderthal can’t live up to its promises…

Schoolyard Heroes, Abominations

It’s kind of hard to take Schoolyard Heroes seriously. They want to be scary; they want to be “horror” music, but I think they’re missing their mark. They’re more like, say, Scream than The Devil’s Rejects

John Hoskinson, Pancho Fantastico

From the first note of Pancho Fantastico, it’s immediately obvious that John Hoskinson has a knack for writing catchy melodies and tight instrumentation. Unfortunately, these characteristics prove to be the album’s downfall. The opener, “Miss Rejection,” is plenty loaded with charming hooks and super saccharine…

Dimestore Dandelion, Oil and Water

Dimestore Dandelion’s newest EP, Oil and Water, is tricky for me to review. Ultimately, I wish it had been sent to someone else. In reading the little snippet describing the band and record, it seemed the sound would be different — something more lo-fi and homey, I guess. But that doesn’t matter…

Deathbed Repentance, Why Do We Even Try?

While I was apparently sleeping, it seems Houston’s garage-punk underground has been busy. On top of the bands I’ve already been blown away by, like Something Fierce, the Monocles, Teenage Kicks, Born Liars, and Ragged Hearts, now here comes Deathbed Repentance…

Cat Power, Jukebox

The theme from “New York, New York” couldn’t possibly be the same old cornball, oft-played cliché, could it? The drum intro, “boom-boom-SHACK da-boom-boom-SHACK,” drags you right up to the doorstep of “Start spreading the news…” Cat Power’s Chan Marshall conjures up a spirit and a vibe…

Eldridge Rodriguez, This Conspiracy Against Us

The male solo musician falls into one of two categories, generally. He’s either ripping off Bright Eyes and Elliott Smith or he’s backed by bored synthesizers or a bored acoustic guitar. Singer Eldridge Rodriguez successfully avoids both traps on his new album, This Conspiracy Against Us

P.A.F., Fingerprints, Medicine

The demon is loose behind me right now, blasting its way into my ear cavities. The three-headed demon led by Scott Pinkmountain-Rosenberg (I’m not sure which surname he’s sticking with at this point). If Fingerprints, Medicine is, in fact, the result of a veteran jazz saxophonist throwing down the sax…


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