Recorded as a four-piece at Dead City Sound, This Year’s Tiger’s self-titled EP demonstrates that they’re a band Houston should be proud of. Even scaled-down to a three-piece live, they’re both raw and powerful, and this sound translates well to disc…
There’s not a whole lot groundbreaking on Rhythm Amongst the Chaos, but really, I don’t really mind. There’s something in the band’s tried-and-true brand of thrashcore that gets the blood pumping, even when I know full well I’ve heard this a million times before…
Improvised (or even improvised-sounding) music makes my skin crawl. Okay, so that’s a bit of an exaggeration — I don’t really find it creepy, per se, but it just kind of irks me, in the same way that, say, driving around town aimlessly or running in circles irks me…
In a weird way, I wouldn’t be here without Sprawl. No, I’m not going to spin some sappy-yet-strange story about being conceived while my parents listened to The Man With The Yellow Hat — I’m nowhere near that young, and sadly, my parents are nowhere near that cool…
What the hell happened here? Granted, it’s been a while since I checked in with the band, but the last time I checked, Reggie and the Full Effect was a whip-smart, self-referencing, sarcastic-ier-than-thou cold shower of a “project” that didn’t take itself (or the music it appropriated) at all seriously…
I loved this CD from the first time I shoved it into the player. San Antonio’s The Panic Division hooks you right away with a massive familiarity that you can’t quite put your finger on…
I wasn’t sure how I would feel after listening through At Mount Zoomer, but I wasn’t expecting to be pleased. Maybe I’m too pessimistic, but sophomore albums have let me down enough that I’ve come to fear and almost expect the “sophomore slump”…
Hopeless/Sub City Records have decided to audibly bash, melodically sweep, and musically cock its feathers with their latest jaw-dropping punk rock compilation, Take Action 7. With yet another stunning lineup that includes the likes of All Time Low and radio darlings The Spill Canvas…
Vacation Bible School makes nihilism sound fun. For whatever reason, the best (and the happiest) songs are the ones about life being meaningless. On their Unlucky EP, they sing about other subjects, but nihilism inspires their best work…
Formerly known as Harrydash, the newly named Tenspoke Indies released their debut album, Blinded By The Sound, in March of 2008. With a music makeover to go with the name change, I expected a lot from this charming quartet from Tampa, Florida…
Roedelius/Story is a side project of Cluster’s Hans-Joachim Roedelius, who’s been collaborating with Tim Story, an American synthesizer experimentalist and composer. Their third album, Inlandish, combines classical-sounding keyboard parts…
A friend of mine tried to convince me once that creating good pop music is practically science. Not that you have to do A, B, and C to make a perfect pop song, but more that there are things you just don’t do if you want it to work right…
Mötley Crüe is a brand, like Apple or Harley Davidson. Like the biggest bands in the last fifty years, Mötley Crüe exists in our minds as part of a universal consciousness, a shared history. If you are between the ages of thirty and maybe forty-five…
Dark with lots of electronic layers, I initially had a difficult time getting to know Help Wanted, the initial offering from former Jane’s Addiction bassist and founding member Eric Avery. After several attempts and an accidental shady parking garage…
Mentioned this one previously, but intrepid writer/energy troubleshooter Nick H. threw over a cool-ass review of The Silver Jews’ latest album, Lookout Mountain, Lookout Sea, so I thought it’d be good to point it out…especially since the band’s actually playing tonight here in town, doing their quasi-indescribable kinda-country, kinda-indie thing over at Walter’s. They were […]
In a musical landscape where record reviews tend to devolve into name-checking, genre-hyphenating, deconstructionist vacuums, it’s refreshing to get the chance to review a record where this is practically impossible. Lookout Mountain, Lookout Sea is just such a record…
I popped this shit in my CD player and genuinely knew within the first 30 seconds that this would not be a one-and-done listening. Not that I knew I was going to love it — rather, that it was going to be one of those CDs…
There is something to be said about a band who unabashedly embraces their roots and in so doing makes music that appeals to an almost singular set of people who come from the same place…
An interesting coincidence happened to me the second time I listened to the Seximals’ latest album Small Songs. Right as track five began playing in my car stereo, I noticed in my rearview mirror that a group of motorcyclists had pulled up behind me…
Hype up the ying-yang with these guys. Pitchfork, NME, Rolling Stone — they all love Fleet Foxes. I saw these guys live in a little club in S.F. about a couple months before they hype machine really took off…
We’ve been hearing it since we were children — “don’t judge a book by its cover,” meaning, don’t make hasty assumptions based on superficial impressions. This is the exact mistake I made with The Dreadful Yawns, forgetting these elementary words of wisdom…
After a few listens to Fort Music, you realize the Dead Trees wear their influences on their sleeve. The album sounds as though it was recorded in a basement, but worse still, the band never really comes up with a solid sound of their own…
The Six Songs EP offers another jolt of what the Brokedowns gave us on their second album, New Brains for Everyone: fast-paced, energetic, Midwestern punk rock. It was also amusing to note that the press kit for this one was exactly 4 lines…
Pushing Red Buttons’ Foreign Film or Tango Dance? sounds like nothing so much as a lost Mike Patton project, or possibly a series of unreleased demos from Soul Asylum. All the best aspects of ’90s alternative music are presented to the listener…
All the clever things I wanted to say about Nil Recurring by Porcupine Tree ended up not being quite as clever as I thought. So I’ll keep it simple. Porcupine Tree is one of the most exciting bands out there right now, and the amazing thing is that they’ve been around for almost 20 years…
It’s a problem of expectations. When I first heard M83’s Dead Cities, Red Seas & Lost Ghosts, I was blown away. I fell in love with Anthony Gonzalez and Nicolas Fromageau’s primary-color-shaded walls of melodic, ethereal-yet-visceral noise…
Damn, this album makes me want to hit the secondhand record store & dig out some Animals, Rolling Stones, and Byrds albums. And no, I don’t mean that as a slam, some way to say that Seattle duo The Dutchess & the Duke…
Continuing the week’s theme of “continual freakin’ updates out the ass,” today we’ve got yet another brand-brand-new review up just in time for a dang show. This time it’s The Dutchess & the Duke, a Seattle duo who make some awesomely, awesomely dark, retro-’60s pop that sounds like it was smuggled forwards in time from […]
In addition to the The May Fire review I posted about earlier, there’s a whole pile of other cool stuff up recently. One of the coolest is a review of local H-town-area noise-rapper B L A C K I E; his debut, Wilderness of North America, is an angry, free-jazz-informed combo assault of thick-sounding City of Syrup hip-hop, hazy avant-noise, and […]
The May Fire’s six-song EP, The List, rubbed me the wrong way initially, I’ll admit it. After a few more listens, though, I’m slowly warming to the band. It wasn’t the music that threw me off, really — The List is pretty much straight-ahead, indie-tinged rock…
Yep, we’ve got a ton of new stuff up on the SCR site, w/more going up pretty quickly… Yours truly has been shamefully slow about getting reviews online, and I’m trying to rectify that with a small hoard of ultra-timely reviews. Starting pretty much now, in fact. Why? Well, because tonight San Franciscans The May […]
Roll up your sleeves and dig on this wack Explosions In the Sky cover band. On the one hand, all this fancy guitar noodling is hard to dismiss — then, on the other hand, I feel like I should be watching Friday Night Lights…
Normally I can’t stand it when bands use polysyllabic words too much, but The Velocet pulls it off on A Quick and Dirty Guide to War. They use words like “circumstance” and “coronation” without even rhyming them…
SCR‘s own Scott Whitt lukewarmly reviewed sputnik Monroe’s first effort, Wake the Sleeping Giant, back in 2007. In that review, his major criticisms seemed to be that Sputnik Monroe failed to live up to the experimental fusion of Muse and Mars Volta that they claimed to be…
That Darren Keen, he’s a wily one. Hailing from Omaha, NE, by way of Lincoln, Keen seems like the only act in Omaha not on Saddle Creek, and he is doing his damndest to make sure you don’t mistake him…
Yeah, I’ve been wrestling with this one for a while. It’s surprisingly hard to peg down a band when they remind you of a period in music rather than of any specific band or bands, and that’s the case for me with The Jealous Girlfriends on their self-titled full-length…
Elemental Zazen stuck himself with a really bad name. There may be worse rapper names out there, but he’s got one of the worst ones I’ve ever heard. On his second album, The Glass Should Be Full, Elemental Zazen demonstrates a casually virtuosic flow reminiscent of Aceyalone…
Canadian rock music has a relatively long and impressive history and includes a whole host of recording artists who have successfully spearheaded and maintained careers that have produced extremely memorable songs…
This is not a Bright Eyes record. Don’t believe the critics who tell you it is. Because it isn’t, not even close. There are things very specific to Bright Eyes recordings, beginning of course with guru producer Mike Mogis. He’s not here this time around, and it shows…
Out of the wilds of H-town’s indie scene comes…well, shit, the absolute weirdest, rawest, most uncompromising, and most intriguing hip-hop I’ve heard since that Justin Broadrick/Alec Empire collab, Curse of the Golden Vampire…
