Arcade
Into The Light (Wooden Man)
by Marc Hirsh
originally published in Space City Rock,
Winter 2005
Man, anybody who picks up a copy of Arcade’s Into The Light expecting to hear the
early-’90s hard rock band formed by Ratt’s Stephen Pearcy is gonna be pissed. Of course, since the
abovementioned group of music fans is probably outnumbered by the folks
who actually
worked on Arcade Mark One’s albums, the four indie-rock ladies from Muncie,
Indiana who comprise Arcade
the Younger should be in the clear. Good thing, too, because with songs
like
“Black As…” (which, like much of the album, mines the guitar dialogue
and
uncertain rhythm of Sleater-Kinney songs like “Get Up” for inspiration)
and
lead singer Carrie Conley’s vocals echoing the bored detachment of
Debora Iyall,
the band’s sonic touchstones are a little more left of center.
Unfortunately, Arcade’s
lyrical sense isn’t so hot, with awkwardness and groan-worthy conceits
abounding; “No Good,” for instance, is a neat little punk tune that is
completely undone by a chorus built around two horrible analogies.
There’s some
enjoyment to be found by ignoring the words, though, as the second
chorus makes
a valiant effort at righting a sinking ship by stripping down to vocals
and
handclaps, and “Into The Light” is a terrific, full-blast
the-bar-is-closed-and-this-is-our-last-song
number. Into The Light’s not perfect
by any stretch, but for a band finding its voice, it offers hints of an
interesting future yet to come. For a decade-old offshoot of a
second-string
’80s hard rock band, it’s a goddamn revelation.
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