Comicpalooza Update: Scrub Club Records Show Tonight

I was able to make it to the George R Brown last night to get a peek at some of this year’s Comicpalooza offerings. If you follow SCR’s Twitter account, you might have seen some of the pictures I was tweeting…

The Milk Carton Kids, The Ash & Clay

I discovered The Milk Carton Kids in early 2012. As each year begins, I commence to researching the acts playing the SXSW festival coming up in March. One of my resources is a website called Operation Every Band, a blog written by a team of people…

Born Liars, Show Some Couth

Ah, the Born Liars. No matter what else is going on in life, I can always, always, always count on these four guys to bring the raw, sharp-edged, snarling/spitting garage-rock/punk, and to do it well. And just like always, on Show Some Couth Jimmy Sanchez…

TTNG, 13.0.0.0.0

There’s a strangely insectile feel to Oxford-bred trio TTNG’s newest album, 13.0.0.0.0, I think in part because the band (singer/guitarist Henry Tremain, guitarist Tim Collis, and drummer Chris Collis) never really stop moving

David Ramirez, The Rooster

That voice right there, that’s the voice of a man who’s crawled through hell and up out the other side, and now he’s standing back on his own two feet, albeit a little unsteadily. With Apologies, Austin’s David Ramirez chronicled his recovery…

Laura Stevenson, Wheel

Alright, so I’d liked Laura Stevenson when I’d heard her previously — the songs were good, her voice was stellar, and the whole thing had a nicely warm, friendly feel to it that I enjoyed. After hearing Wheel, though, I’m left with a far, far deeper…

Adelaine, Currents

Okay, this going to sound bad — potentially really bad — but I promise, if you bear with me, you’ll (hopefully) see that it’s not. See, as the two munchkins who live in my home get older and speak more, they tend to point out things that the larger beings in the household…

No Joy, Wait To Pleasure

Right from the first menacing squall of feedback on opening track “E,” No Joy makes it clear that they don’t give a good goddamn about that whole “nu-gaze” tag. The Canadian trio (Jasamine White-Gluz, Laura Lloyd, and Garland Hastings) isn’t here to praise the legacy…

WE LIKE THINGS 2012: Telling you all about the awesome things you (maybe) missed last year.

Yes, another year gone by, and another (ridiculously-late) set of top ten lists from us folks here at SCR of all of the good/amazing/awesome things we ran across in 2012. Your intrepid writerly-type people have gone through literally thousands…

SXSW Report 2013: Young Dreams, The Tontons, Family of the Year, J. Thoven, The Livids, Featherface, & More

As it does every year I’ve gone (six times since 2004), SXSW overwhelms me, exhausts me, and most of all makes me glad to be a musician and music fanatic. Anyone who throws the one-liner out there, “there’s no good music anymore!” is just…

Just Telling Stories: Peter Beste & Lance Scott Walker Help Houston’s Hip-Hop History Speak

Once upon a time, Houston hip-hop was a secret. Beyond a couple of well-known names like the Geto Boys or UGK (who, hell, were actually from Port Arthur), nobody outside of the immediate Houston/Beaumont area had any…

Oblivion

No, it’s not the movie version of the hit video game. That would be awesome. Instead, Oblivion is Joseph Kosinski‘s follow up to 2010’s Tron: Legacy, this time featuring Tom Cruise as one of the last survivors…

Adam Bricks, City Songs

First things first: Adam Bricks is an unabashed, head-held-high folksinger, the kind of musician and songwriter that used to push music forwards but these days gets relegated to the dingy club while vapid electronic beats bounce plasticized pop mannequins around…

Trance

The crime film is a tricky beast; there are no two ways about it. On the one hand, the plot needs to be appropriately twisty, surprising the audience at every bend. On the other, even past masters like Raymond Chandler have discovered the ease of disappearing…

Mikey & The Drags, “Spill Your Guts”/“Solstice”

Alright, so I went into Mikey & The Drags’ official debut release pretty much figuring I’d like it; it just seemed like a foregone conclusion, given how much I already liked the stuff I’d heard from ’em so far, so why worry? And in the end, I definitely do like this 7″, although not for quite…

Chase Hamblin & The Roustabouts, VAUdeVILLE

Step right up, folks; duck your head as you make your way inside the tent, then prepare yourself for Chase Hamblin & The Roustabouts as the roll and ramble through their long-awaited full-length, VAUdeVILLE… First things first: the band’s…

G.I. Joe: Retaliation

Oh, G.I. Joe, will you never get the respect that Transformers does? Will you always be in their shadow, no matter how much slightly, marginally better your movies are? The answer is “yes,” when marginally better is compared to…

Preview Time: The March Divide at Super Happy Fun Land, This Friday

Odds are if you’ve only ever heard one song by The March Divide, that song would be “Still Analog.” In that catchy pop song, Jared Putnam (formerly of The Conversation) mostly spends the chorus begging someone named Shannon to come see him…

Dntel, Life is Full of Possibilities (Deluxe)

Given that The Postal Service will be headlining this year’s Free Press Summer Fest, it seems appropriate to revisit the album that brought together Death Cab for Cutie’s Ben Gibbard and producer Jimmy Tamborello. Long before the Iron and Wine cover and years before the fervor…

Live: The Wheel Workers/The Wandering Bufaleros/Jealous Creatures/Second Lovers

When you have been in bands for 25 years, you can tell when a band has put everything they’ve got into a performance. This kind of effort was on display at Fitzgerald’s last night. With the release of their new album, Past to Present, The Wheel Workers

Bang Bangz, Red City

There’s something about Bang Bangz’s Red City — the band’s music in general, really — that makes me want to get out. I feel like I need to just to get up and walk out the door into the darkness, and just keep walking until something…

The Littlest Viking, The Littlest Viking

Fans of ’90s indie-prog, rejoice, for The Littlest Viking has come to save your collective soul. With their new self-titled album, the duo of Ruben Cortez and Christopher Gregory (with occasional additional vocal help from an unnamed…)

SXSW 2013 Countdown: SXSW Preview Time Is Upon Us

I had a late start, but at this point I am absolutely drowning in the music of the acts heading to Austin to promote their wares at 2013’s incarnation of South by Southwest. I’ve been jigsaw-puzzling my schedule together for the last few days…

Christian Kidd & Alexis Kidd, Just a Houston Punk

I don’t know Christian Kidd, not really; we’ve exchanged emails a few times, sure, but we’ve never met in person, never had a conversation longer than a sentence or two. I think the closest I’ve come to introducing myself to the guy — who over the many…

Jack the Giant Slayer

Once upon a time there was a talented director known for taking what could just be pop fantasy, looking it over with a mature eye, and producing entertaining films that didn’t insult anyone to get to a mass audience. Then his popular acclaim started to wane, and he faded…

The Wheel Workers, Past to Present

With Past to Present, The Wheel Workers attempt a truly delicate balancing act, one that’s impressive to witness. See, the album takes a big, big risk, in that it’s essentially two things at the same time: a pitch-perfect orchestral pop-rock album and a strident, intensely political call to arms. There are bands that can do those things, to be sure, but very few can do both at the same time and succeed…

Got These Voices In My Head: Words with the Knights of the Fire Kingdom

Sometimes, all I really want to do is rock the hell out. I just want to hear guitars, bass, drums, and yelling/singing, all loud as fuck, with distortion that’s just enough to not be metal, rough-edged vocals, and a solid, pump-your-fist rhythm…

A Time To Live, A Time To Die

As with any niche, there’s a caricature about world cinema. It is slow, it is minimalist, and it tends away from straightforward entertainment and more towards naturalism, to the point of distraction. Basically, it’s Tokyo Story on and on…

Redgrave, National Act

Oftentimes I feel like music is judged too harshly based upon what it sounds like, rather than how it actually sounds. On one hand, you could have a band that sounds like The Beatles and think of that however you choose — good or bad…

No Grand Plans: H-Town Supergroup Brand New Hearts Creeps Quietly Onto the Stage

Long, long ago, yours truly was in a band. We weren’t all that good, I’m saddened to admit, but we played some shows, recorded some songs, and had a blast for a while there. We found ourselves part of this amazing little scene and played, a lot of the time, only for ourselves…

Foxygen, We Are the 21st Century Ambassadors of Peace & Magic

The two guys who make up Foxygen, believe it or not, are kids. No, they really, seriously are; despite all appearances to the contrary, Sam France and Jonathan Rado graduated from high school just a handful of years ago. And trust me, I get why that’s…

Ramona Falls, Prophet

Don’t be fooled by the gentle, quietly-smiling, lull-you-to-sleep vibe of Ramona Falls’ second album, Prophet: this isn’t music to fall asleep to. At least, not unless you want to dream of singularities and confluences and galaxies…

Atlas Genius, Through the Glass EP

There’s something to Through the Glass, the debut EP from Aussie duo Atlas Genius, that definitely feels like a warning shot, a quick burst to say, “hey, look over here!” It’s good — and yeah, I’ll get back to that, don’t worry — but it feels a little abrupt…

The Tontons, Bones

At first I wasn’t clear why both the A- and B-sides of the Tontons’ latest 7″, Bones, are both titled, um, “Bones” (“Bones 1” and “Bones 2,” to be specific), but after hearing one roll straight into the other, yeah, I’m starting to get it. I couldn’t tell you if it’s intentional or not, but the two tracks flow together beautifully…

Jealous Creatures, Bazooka

Here’s how the whole band-life-trajectory thing is supposed to work: start a band just for the hell of it, at first; then realize hey, maybe this is a pretty cool deal, and begin earnestly working at it; work your way onwards and upwards, honing your skills…

The Helio Sequence, Negotiations

It’s hard to overvalue the role of Sub Pop in developing my musical tastes. Whether it was Sunny Day Real Estate’s How It Feels to Be Something On or Washed Out’s Within and Without, my musical journey is lined with more than a few Sub Pop…

Les Misérables

In case you’ve never tried to read it, Les Misérables is really, really long; one of the longest books ever written. So, to paraphrase Inigo Montoya, “there is too much, let me sum up.” In post-Napoleonic France, money is scarce…

The City Has Become Too Safe: Remembering The Axiom in Verse

Recently, while waiting around at Fitzgerald’s for sound check before the Axiom reunion, I had an unearthly feeling. As I wandered around the old club, I felt like a ghost and I could see the shadows of crowds and bands who I had seen there before. I saw familiar, unforgotten faces, old friends…

Square and Compass, How to Escape

I’m not trying to take credit; honest, I swear to God I’m not. But when I first put on emo-throwback band Square and Compass’s new full-length, How to Escape, I couldn’t help but give myself a little smile and think, “yes; they listened!”…

The Escatones, “Out of Sight Out of Mind”/“East Beach Stomp”

The Escatones make perfect sense for where they’re from. They’re surf-rock, yes, but they’re not surf-rock in the way that bands from places with clear-blue, crystalline water are surf-rock; instead, they’re dirty and messy and weird and a little bit scary…


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