Sea Wolf, White Water, White Bloom

Alex Brown Church – maybe more commonly known as Sea Wolf – and friends are back and just as good as ever with the release of “White Water, White Bloom,” last year. This album follows a very successful debut EP, “Go to the River before it Runs Too Low” and full-length “Leaves in the River,” both released in 2007, and follows in similar style and sound as previous releases…

Tambersauro, From the Last Day I Saw You

More than anything else, From the Last Day I Saw You is a manifesto. And really, it feels fitting that as they make their final(?) bow and step off into the wings, Tambersauro should unleash something just like this, tossing aside the oblique lyrics and instrumentals…

The Album Leaf, A Chorus of Storytellers

Jimmy LaValle’s fifth solo album, A Chorus of Storytellers, is a calm trip into his soul. This CD will soothe you, but not in a reassuring, uplifting kind of way. LaValle started in the ’90s, and since then has appeared on The OC soundtrack…

Jack Conte, Sleep in Color

Jack Conte’s Sleep in Color EP surprised me, with its rich, multi-faceted effects. Such a short endeavor could’ve easily gone unnoticed, but this one packs a lot into five songs. Each one involves a multitude of instruments, with a melody backed by various other parts…

Kelli Scarr, Piece

I screwed up Kelli Scarr’s CD, and honestly, now I’m kind of glad I did. Not the actual CD, mind you, but the copy of Piece that I’m currently listening to — apparently I managed to mix up the track order pretty severely when I burned the disc so I could listen to it in the car…

Literature, Tour EP

Literature’s Tour EP is four tracks’ worth of indie-rock: somewhat sloppy vocals that go in and out of tune and well-crafted guitar parts with meaningful lyrics. The band is comprised of five young men from Austin who decorated their CD with a brown and white horse sticker…

The Seldon Plan, Lost and Found and Lost

Lost and Found and Lost is a twelve-track indie album, released last year to relieve those diehard fans of Baltimore, MD’s The Seldon Plan, who’d been patiently awaiting a follow up to 2007’s Collective Now. Michael Nestor and Dawn Dineen from the core band sing…

Paper The Operator, Goodbye God

Jon Sebastian’s band Paper The Operator gives insight into the mind of a man with an indie-rock agenda and a fun-loving heart. There is some slight vibrato in his soft soothing voice, sounding a bit like Rivers Cuomo circa “Only in Dreams” or “Butterfly”…

Tiny Vipers, Life on Earth

On Tiny Vipers’ striking second album, Life on Earth, Jesy Fortino expands on her distinctive sound. Her songs are more songlike than on the previous album, although the core of the sound is still the same — it’s still just her voice and guitar, but she’s developing her melodies more…

The Twilight Saga: Eclipse

This may well be as good as Twilight is ever going to get, and as it turns out that’s not too shabby. So Bella Swan (Kristen Stewart) is really into vampires. Well, a vampire (Edward Cullen). So much so that she wants nothing more to become one…

The Gary, Logan

Right from the start of Logan (and the band’s previous EP, Chub, too), I caught myself betting the collective record collections of The Gary’s Dave Norwood, Paul Warner, and Trey Pool look a heck of a lot like, well, mine. And as the album unfolds, I found myself nodding and grinning…

The Wild Moccasins, Skin Collision Past

I’ve been looking at this all wrong. My initial instinct, based on the band’s youth and cheery energy as much as on their knack for similarly cheery, shiny-sweet pop songs, is to applaud The Wild Moccasins for finally breaking out of the “kiddie-pop” niche…

Matt Bartram, Left to Memory

Matt Bartram does not create accessible music. There is nothing on Left to Memory that you can tap your toes to or sing along with, no catchy choruses or get-stuck-in-your-head riffs. If you’ve been bred on the under-three-minute, four-chords-and-a-melody song…

Point Juncture, WA, Heart to Elk

There is nothing like a band where the drummer sings, especially when it’s a girl. In Point Juncture, WA, the sweet, silky, alto voice of Amanda Spring complements the clear tenor voice of Victor Nash. Both singers take the lead on certain songs and sing back up on others…

The Depreciation Guild, Spirit Youth

Few things are as constant as America’s need for cultural nostalgia. We Americans collectively loved the flower power revival of the mid-1990s and the recent movie remakes of classic 1980s cartoons. In fact, even our environmental disasters are rehashed 1980s tragedies (Ixtoc I, anyone?)…

Live: Passion Pit/Tokyo Police Club/BRAHMS

It takes a particular kind of genius to get people to simultaneously dance, sing, and cry to your brand of love-stricken music. However, when you get the balance right, you’re able to create and connect to a devoted group of individuals. Whether it’s manipulation or love…

Gossip, Music for Men

I’ve heard a lot about indie dance-punk band Gossip (formerly known as The Gossip) for some time, but never gave them a listen until 2009’s Music for Men. The album is the band’s fourth studio album and has sold over one million copies worldwide since its release last June…

The Pineapple Thief, Someone Here is Missing

I am so glad Pandora exists. Not the world of James Cameron’s Avatar, but the online radio station. Thanks to it, I discovered Porcupine Tree, and subsequently found The Pineapple Thief…

Knight and Day

I can’t believe Tom Cruise movies have gotten old-fashioned. That’s not right. What I should say is: I can’t believe movie stars have gotten old-fashioned. But they have, and the proof is in Knight and Day‘s pudding…

Brazos, Phosphorescent Blues

Good songwriters are a dime a dozen, so it’s become difficult to pick out the ones that are truly worth your time and money. And the whole acoustic alternative/indie folk genre has almost become a joke because of all the generically good-but-not-great artists it churns out regularly. Because of that, it might be easy to disregard Brazos’ Phosphorescent Blues after a cursory listen…

Jef With One F, The Bible Spelled Backwards Does Not Change the Fact That You Cannot Kill David Arquette, And Other Things I Learned in The Black Math Experiment

If you’d told me a decade ago that in ten years’ time I’d be reading an honest-to-God book written by a guy in a Houston indie band — heck, about not only said band but about the music scene here in general — well, I’d have laughed you out of the room…

Live: The Wild Moccasins/Roky Moon and BOLT/Giant Princess

One of the best things about going to a Wild Moccasins concert is the audience. Their signature sugary-but-feisty sound and friendly stage presence have gained them quite an impressive following among Houstonites…

Paris Falls, “Big Surprise” / “It’s A Charade”

While I’m pretty sure that’s not what it’s talking about, the A-side of the new 7-inch single from retro-rockers Paris Falls, “Big Surprise,” actually does find itself a little ways off from what I’ve come to think of as the band’s main musical neighborhood…

B L A C K I E, Spred Luv

There is nothing about B L A C K I E that is not singular. Despite his undeniable affinity and devotion to his native geography and his home in Chemical City (Pasadena) in particular, the solo endeavor of the man born Michael LaCour stands out as stark as the all-caps-with-spaces typography of his name…

LIMB, The Shape of Punk for Some

The only time I’d ever seen or heard LIMB before now, the “band” consisted solely of primary instigator James Templeton, a laptop, a vintage-looking keyboard, a mixer, and a bunch of effects pedals. And while it was interesting, definitely, I can’t claim that it blew me away…

The Manichean, Whispers

Music or theater? That’s the conundrum that hits me most frequently when listening to The Manichean’s self-titled debut EP: is this a band, or a theater troupe? Going by the EP itself, the answer may be “both.” It may be comprised of actual songs, but The Manichean strikes me as being far closer to an old-time radio play…

MC Chris, MC Chris Goes To Hell

MC Chris is a hilarious white hardcore rapper, one who reminds me of Eminem because of his high-pitched voice and his amazing sense of humor. His new album, MC Chris Goes To Hell, is easily the funniest rap album I’ve ever heard, but beyond the humor…

Cast Spells, Bright Works and Baton

Bright Works and Baton, the first EP by Cast Spells, is something to be played at a summer barbeque or other such lazy social event. It’s bright and pleasant, and it’s not one of those that has to “grow on you,” or that requires a “refined taste” in music…

Black Smokers, Used

Although they are “passionate about the blues tradition and hate following the rules,” I wasn’t really impressed by Black Smokers’ music; they could tighten it up a bit. They definitely have an edgy, European-wish-they-were-American rock sound, with underlying country tones…

Opsvik and Jennings, A Dream I Used to Remember

Eivind Opsvik and Aaron Jennings continue to cover new ground on their third album, A Dream I Used to Remember. More straightforward than their previous projects, it mostly leaves behind the electronic tones and processing of their previous records for more of a traditional band sound…

Tinariwen, Imidiwan: Companions

In spite of the bright, sparkling melodies, wonderfully “round”-sounding notes, and sweet, village-harmony backing vocals, there’s a deep, tragic sense of sadness and loss to Tinariwen’s Imidiwan (which translates as “Companions” in the band’s native language, Tamashek; hence the subtitle)…

The A-Team

The film opens Somewhere In Mexico, with gangsters interrogating Hannibal (Liam Neeson in a bewildering rubber nose). Somewhere Else In Mexico, Bosco Albert Baracus (or B.A., a perfectly cast Quentin “Rampage” Jackson) races cops in a Lamborghini…

Dead Frail Honesty, A New Piece of Flesh

The best way to describe this CD is to say that it’s industrial, with influences from Skinny Puppy and older Ministry but with a well-thought-out Goth overtone. The scraping backgrounds, voice track overdubs, and soft and droning synthesizer beats meld into a grimy, overloaded, distorted-guitar sound…

Unsparing Sea, In the Crystal Canyon EP

On In the Crystal Canyon, the follow-up release to the band’s A Cloud in the Cathedral LP, Unsparing Sea doesn’t just stick to the basics, but includes a cello and an upright bass, for a more orchestral sound; think The Arcade Fire. Unsparing Sea even use a vox, vibraphone, flugelhorn, and a saw…

Live: Minus the Bear/Everest/Young the Giant

Despite the torrential downpour, a thousand or so people braved the weather to loosely pack the House of Blues. The occasion? Seattle’s Minus the Bear were in town , bringing a heavy dose of bearded indie-rock and quite possibly the rain…

Sade, Soldier of Love

Clearly, my obsession with the mandolin and progressive rock drummers makes me the perfect person to review Soldier of Love, the latest release from English R&B artist Sade. It’s been 10 years since Sade’s last effort, and I assume a lot has changed in the world of R&B…

Le Loup, Family

I had heard of Le Loup before listening to Family; I’d heard the name being thrown around a lot, but I had never actually sat down and listened to the band, so I had no idea what to expect…

The Dustys, Sticky Blood

The Dustys’ Sticky Blood is a six-song EP with a somewhat whimsical feel from a garage/psychedelic/folk band formed in Arlington, VA. The entire EP contains introspective lyrics over fairly upbeat music, which lends itself to a more somber sound occasionally….

Broken Bells, Broken Bells

Brian Burton (aka Danger Mouse) has no fear of overexposure. Whether it’s producing a Damon Albarn vehicle or linking up with rock icons Beck and Sparklehorse, it really feels like Danger Mouse has his hand in everything. This time around, mutual respect has brought Burton and The Shins’ frontman James Mercer…

Lee Simmons, Doniphan Nights

Lee Simmons’ Doniphan Nights is an indie gem that should make Texans proud. Simmons produced it himself — besides track six — in his home studio in Austin, where he received assistance from other Austinite musicians. He is not just the average singer/songwriter, but original in his craft…


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